i've been a fan of wayne hancock+ for a long time. Amongst Americana aficionados, Wayne's first album "Thunderstorms and Neon Signs" is considered a classic. Wayne's sound is a throwback to Hank, Lefty, Carl Smith+, Faron Young+, Moon Mullican+, a touch of Bob Wills+ and other country singers from the 40's into the early 60's.
last night i had the opportunity to see Wayne at the Middle East in Cambridge. the last time i saw him was in the late 90's at SxSW.
he's playing with a stand up bassist and a really talented guitarist, i wasn't able to catch their names. Wayne on acoustic rhythm guitar and vox.
the man has stuck with his retro formula through the years, but manages to make it sound entirely original, not a clone of those who blazed the trail he's on.
Saturday, March 30, 2013
Wayne "the train" Hancock
Labels:
americana,
cambridge ma,
central square,
hank cochran,
hank williams,
lefty frizzell,
middle east club,
moon mullican,
photography,
photos,
rockabilly,
rockabilly kids,
wayne hancock,
wayne the train hancock
Location:
Cambridge, MA, USA
Friday, March 22, 2013
in the subway
hi all -
contractually i'm unable to name the model in these photos, but i want to share the photo selected for use and then show you some of the outtakes from this shoot. the model has a great sense of humor and timing. these qualities are quite evident in some of the other exposures from this session.
i love working with her, but it's tough to work out our schedules and, believe it or not, she's somewhat reluctant to pose for me.
these were shot with a nikon D700, Nikkor 85 mm, 1.8 lens. ISO 1000, 1/100 sec @ f1.8
the outtakes
contractually i'm unable to name the model in these photos, but i want to share the photo selected for use and then show you some of the outtakes from this shoot. the model has a great sense of humor and timing. these qualities are quite evident in some of the other exposures from this session.
i love working with her, but it's tough to work out our schedules and, believe it or not, she's somewhat reluctant to pose for me.
these were shot with a nikon D700, Nikkor 85 mm, 1.8 lens. ISO 1000, 1/100 sec @ f1.8
the outtakes
more to come
Sunday, March 17, 2013
the first
this is my first blog. exciting, isn't it? more than a year after graduating from Boston University's Center for Digital Imaging Arts, it's time to jump out of the airplane. i don't have enough opportunities to shoot, it's a full plate that i juggle.
I built a studio in my home, which was finally completed in February. Getting it done is a long story that I won't bore you with here. i have a set of +elinchrom monolights and softboxes. I also purchased an Elinchrom grid set and the Lastolite 8 in 1 umbrella
I want to specialize in portraiture and product photography. My true passion is documentary, and I've been at work on a project that was first suggested by +Sharon White - a great photographer, instructor and cheerleader.
I haven't done any branding or marketing yet. Free time is a premium. I recently went to New Orleans for Mardi Gras and was able to take photos for a documentary project.
i shot the zulu parade on mardi gras morning.
yes, that is a pair of see thru lace panties going to some lucky parade watcher. i was only able to procure a hand painted coconut, a much prized throw from the Zulu krewe.
With former class mate and shooting partner +David Salo, we then went across the Mississippi to Algiers to photograph the parade of the Mohawk Hunters, a Mardi Gras Indian tribe. The Mardi Gras Indians are one of many Mardi Gras subcultures that have been created through the years. Most of the subculutures developed in the African American communities, in a time when the large parades were segregated, so African Americans created their own unique forms of celebrating Mardi Gras Day.
the suits worn by the Indians are sewn by hand, take almost a year to create and are only worn that year. The day after Mardi Gras, it's time to start working on next years suit.
I also had to the opportunity to shoot with former class mate and shooting partner +David Salo with models +Meredith and +Kateryna. i have not yet had a chance to edit any of these, so the next time I post, I'll post some of them.
you can always see more photos at www.michaelneustadt.com or www.facebook.com/photographsbymichaelneustadt
I built a studio in my home, which was finally completed in February. Getting it done is a long story that I won't bore you with here. i have a set of +elinchrom monolights and softboxes. I also purchased an Elinchrom grid set and the Lastolite 8 in 1 umbrella
I want to specialize in portraiture and product photography. My true passion is documentary, and I've been at work on a project that was first suggested by +Sharon White - a great photographer, instructor and cheerleader.
I haven't done any branding or marketing yet. Free time is a premium. I recently went to New Orleans for Mardi Gras and was able to take photos for a documentary project.
i shot the zulu parade on mardi gras morning.
yes, that is a pair of see thru lace panties going to some lucky parade watcher. i was only able to procure a hand painted coconut, a much prized throw from the Zulu krewe.
With former class mate and shooting partner +David Salo, we then went across the Mississippi to Algiers to photograph the parade of the Mohawk Hunters, a Mardi Gras Indian tribe. The Mardi Gras Indians are one of many Mardi Gras subcultures that have been created through the years. Most of the subculutures developed in the African American communities, in a time when the large parades were segregated, so African Americans created their own unique forms of celebrating Mardi Gras Day.
the suits worn by the Indians are sewn by hand, take almost a year to create and are only worn that year. The day after Mardi Gras, it's time to start working on next years suit.
I also had to the opportunity to shoot with former class mate and shooting partner +David Salo with models +Meredith and +Kateryna. i have not yet had a chance to edit any of these, so the next time I post, I'll post some of them.
you can always see more photos at www.michaelneustadt.com or www.facebook.com/photographsbymichaelneustadt
Labels:
algiers louisiana,
big chief,
documentary photography,
flag boy,
hand painted coconut,
mardi gras indians,
mardi gras subculture,
moss man,
new orleans,
photo studio,
photography,
portriature,
spy boy,
treme,
zulu
Location:
Boston, MA, USA
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